The two most popular wrapper formats are. ![]() Files are the ultimate digital film DIY formats as every nonlinear editing system, or NLE, can export exhibition deliverables.Ī digital file will have three major components: the container, or wrapper format (how the file is wrapped for delivery) the video codec and the audio codec. Many will stream them from actual computers or a specialty device such as a media player or a Ki Pro. More and more festivals today are accepting digital files, such as mp4 and. If you can afford it and the festival accepts it, HDCAM - which remains a great archival format - is still an excellent option for getting your films to festivals. Most HDCAM venues will only support LTRT stereo mixes, but there will be some that support Dolby for 5.1 surround sound. Daily rentals can start at $500 and easily hit $1,000 if the deck also needs to play back Digibeta. ![]() But to buy, HDCAM decks cost as much as a semester of film school tuition - over $30,000. There are many projectionists who still consider HDCAM to be the most stable format, and many larger festivals, such as Tribeca, have the infrastructure and the budgets to do temporary installs of HDCAM decks. Until recently, the grande dame of festival formats was HDCAM, along with its standard definition cousin, Digibeta. But you should also send the requisite digital backups the festival asks for, because you never know what will happen. ![]() It also doesn’t hurt if, when submitting your film, you mention that you have specific film formats that you’d like to present your request might catch the eye of an adventurous programmer. If you are such a filmmaker, it never hurts to email the technical director (known as TD from now on) to see if there is any chance of specialty film formats being projected. There are, however, experimental and other short filmmakers who use 16mm film as part of their artistic practice, and there are festivals, such as Ann Arbor, Media City and New York Film Festival’s Projections program, that still project 16mm. Independent filmmaking and exhibition have gone mostly digital. The only 35mm projectors left are reel-to-reel projectors, and they’re rare outside New York, L.A. Due to the digital cinema transition, most theaters pushed their 35mm projectors to the side or removed them completely. If, however, you are independently wealthy, and you did strike a print, congratulations, but it probably won’t screen. Caveat emptor, though: If a festival asks for anything that contradicts this guide, do exactly what they say.įirst, you probably don’t have a costly 35mm print unless you’re Paul Thomas Anderson or someone of his ilk. Instead, phone your editor, and read this guide. The tersely worded communication from the technical director (glad we could finally meet) would put you to sleep if it didn’t terrify you.īut don’t panic. One lands in your inbox, and you excitedly read through the letter until, when you get to the festival’s technical requirements, you develop a sense of dread. You’ve worked on your movie now for some time and have been eagerly waiting for acceptance emails from festivals. Note (May 2018): the updated version of this article can be found here.įormat. mp4, Apple ProRes 422, Avid DNxHD, Blu-ray, CRU drive, DCP, Dropbox, Fall 2015, H.264, HDCAM, Key Delivery Message, Ki Pro, OpenDCP, Pelican case For further details on pricing, click on the link to FilmFreeway or find us on their website.įeel free to contact us directly if you have any questions that you feel have not been answered through our site regarding submissions.mov. We also highly recommend submitting early, as the earlier you submit, the cheaper it will cost. We are 100% exclusive to FilmFreeway, where you will find our lowest pricing for submission. We will ONLY be screening films digitally, with the exception being submitted Blu-rays, DCP’s and DVDs. You will provide us with a private link to your screener by which we can download and/or watch your film digitally. It is our goal to be as eco-friendly as possible with our festival. MOV files for submissions and screenings. Through FilmFreeway, unlike other services, you can submit HD screeners, which we dig! Just click the image box to submit now via FilmFreeway, FilmQuest’s preferred submission system.įilmQuest only accepts DCP, Blu-ray, DVD, and. FilmFreeway is our submission system service of choice. ![]() So less discs and packages, more online screeners! Read on for information on how to submit your film to FilmQuest, and what formats we screen in when a film is selected.įilmQuest very, very highly recommends you submit your film though the fantastic film submission system at FilmFreeway (in which we are 100% exclusive with. As we move forward technologically, we are also trying to be more Green. FilmQuest provides three ways to submit your film, all online.
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